Learning Linocut : A Comprehensive Guide to the Art of Relief Printing through Linocut

Public Works of Art Project. Report of the assistant secretary of the Treasury to federal emergency relief administrator, December 8, 1933-June 30, 1934.

The complete relief print; the art and technique of the relief print, children's prints, care of prints, collecting prints, dealer and the edition, sources, and charts

The complete printmaker : the art and technique of the relief print, the intaglio print, the collagraph, the lithograph, the screen print, the dimensional print, photographic prints, children's prints, collecting prints, print workshop

Haiti after the earthquake

Nèg Mawon / Writing about suffering : The catastrophe ; Praxis and policy : the years before the quake ; January 12 and the aftermath ; A history of the present illness ; Into the camps ; From relief to reconstruction (building back better?) ; Reconstruction in the time of cholera ; Looking forward while looking back : lessons from Rwanda ; Epilogue : January 12, 2011 -- Art / Lòt bò dlo : the other side of the water / Sim pa rele (if I don't shout) / Goudou goudou / Mothers and daughters of Haiti / Humanitarian aid, impartiality, and dirty boots / Lopital jeneral struggles to survive / Doctors in tents / Those who survived / First we need taxis / official / Building back better

How to look at and understand great art [videorecording].

The Great courses fine arts & music

Great courses (DVD). Music & fine arts.

The importance of first Impression -- Where am I? point of view and focal point -- Color: description, symbol and more -- Line: description and expression -- Space, shape, shade, and shadow -- Seeing the big picture: composition -- The illusion: getting the right perspective -- Art that moves us: time and motion -- Feeling with our eyes: texture and light -- Drawing: dry, liquid, and modern media -- Printmaking: relief and intaglio -- Modern printmaking: planographic -- Sculpture: salt cellars to monuments -- Development of painting: tempera and oils -- Modern painting: acrylics and assemblages -- Subject matters -- Signs: symbols, icons, and indexes in art -- Portraits: how artists see others -- Self-portraits: how artists see themselves -- Landscapes: art of the great outdoors -- Putting it all together -- Early Renaissance: humanism emergent -- Northern Renaissance: devil in the details -- High Renaissance: humanism perfected -- Mannerism and Baroque: distortion and drama -- Going Baroque: north versus south -- 18th century reality and decorative Rococo -- Revolutions: neoclassicism and romanticism -- Postimpressionism: form and content re-viewed -- Expressionism: empathy and emotion -- Cubism: an experiment in form -- Abstraction/Modernism: new visual languages -- Dada found objects/Surreal doodles and dreams -- Postmodernism: focus on the viewer -- Your next museum visit: do it yourself.

Compact clinical guide to critical care, trauma and emergency pain management : an evidence-based approach for nurses

Critical care, trauma and emergency pain management : an evidence-based approach for nurses

Clinical guide to critical care, trauma, and emergency pain management

The compact clinical guide series

Compact clinical guide series.

OVERVIEW OF PAIN -- The Problem of Pain in the Critically Ill -- Physiologic and Metabolic Responses to Pain -- ASSESSING PAIN -- The Art and Science of Pain Assessment -- Assessment Tools -- Assessing Pain in Specialty Populations -- MEDICATIONS AND TREATMENT FOR PAIN -- Medication Management With Nonopioid Medications -- Opioid Analgesics -- Coanalgesics for Additive Pain Relief -- Complementary and Integrative Therapies for Pain Management -- The Effect of Opioid Polymorphisms and Patient Response to Medications -- ADVANCED PAIN MANAGEMENT TECHNIQUES -- Surgical and Procedural Pain Management in Critical Care -- Using Patient Controlled Analgesia (PCA) in Critical Care -- Regional Techniques and Epidural Analgesia for Pain Relief in Critical Care -- CRITICAL CARE, EMERGENCY DEPARTMENT AND TRAUMA PATIENTS WITh PAIN -- Managing Pain in Cardiothoracic Critical Care Patients -- Managing Patient Pain in the Medical Intensive Care Unit -- Managing Patients Seeking Pain Relief in the Emergency Department -- Managing Pain in the Patient Suffering Trauma -- DIFFICULT TO TREAT PATIENT POPULATIONS -- Managing Pain in Special Patient Populations -- Pain, Addiction, and Opioid Dependency in Critical Care Patients -- Index.

Cecil B. DeMille and American culture : the silent era

The Lasky Company and Highbrow Culture: Authorship versus Intertextuality -- The Consumption of Culture: Highbrow versus Lowbrow -- Texts and Intertexts: A Question of Authorship -- Geraldine Farrar: A Diva Comes to Hollywood -- Critical Discourses -- Film: The New Democratic Art -- Self-Theatricalization in Victorian Pictorial Dramaturgy: What's His Name -- Melodrama as a Middle-Class Sermon -- A Genteel Audience: Rewriting Domestic Melodrama -- Character versus Personality: What's His Name -- The Lower East Side as Spectacle: Class and Ethnicity in the Urban Landscape -- Representations of the City: Artificial or Romantic Realism -- Social Ills and Comic Relief: The Chimmie Fadden Series -- A Tour of the Lower East Side: Kindling -- Cinderella of the Slums: The Dream Girl -- The Screen as Display Window: Constructing the "New Woman" -- The "New Woman" as a Consumer -- Cinderella on the Lower East Side: The Golden Chance -- The "New Woman" versus the New Immigrant: The Cheat -- The Sentimental Heroine versus the "New Woman": The Heart of Nora Flynn -- The Historical Epic and Progressive Era Civic Pageantry: Joan the Woman -- A Usable Past: Civic Pageants as Historical Representation -- Representations and the Body Politic: Joan the Woman -- Discourse on Femininity: Joan of Are as a Symbol of Gender Conflict -- Critical Discourses: Gender and the Moral Lesson of History -- Set and Costume Design as Spectacle in a Consumer Culture: The Early Jazz Age Films -- DeMille's "Second Epoch."

Resounding images : medieval intersections of art, music, and sound

Medieval intersections of art, music, and sound

Studies in the visual cultures of the Middle Ages ;

Sound and image in the Middle Ages : reflections on a conjunction / The voice in relief : sculpture and surplus vocality at the rise of naturalism / Performing silence and regulating sound : the monastic soundscape of Saint-Jean-des-Vignes / Hearing the image at Santo Domingo de Silos / The sound of conversion in medieval Iberia / "Praiseworthy in that great multitude was the silence" : sound/silence in the Topkapi Palace, Istanbul / Monastic soundspaces in late Byzantium : the art and act of chanting / Written voices : the spoken word in Middle Byzantine monumental painting / Singing, crying, shouting, and saying : embroidered Aëres and Epitaphioi and the sounds of the Byzantine liturgy / The aural-visual experience in the Ashkenazi ritual domain of the Middle Ages / The Play of Daniel in the Cathedral of Beauvais / Building a church with music : the plainchant capitals at Cluny, c. 1100 / Sounds and visions of Heaven : the fusion of music and art in the Gradual of Gisela von Kerssenbroeck / The desert in paradise : a newly discovered office for John the Baptist from Paradies bei Soest and its place in the Dominican liturgy / Staging the blindfolded bride : between medieval drama and Piyyut illumination in the Levy Maḥzor / Integrating Anselm : pictures and the liturgy in a twelfth-century manuscript of the Orationes sive meditationes / Silent sounds : musical iconography in a fifteenth-century Jewish prayer book

The shifting point, 1946-1987

A sense of direction -- The formless hunch -- Stereoscopic vision - There is only one stage -- Misunderstandings -- I try to answer a letter -- A world in relief -- People on the way : a flashback -- Gordon Craig -- The Beck connection -- Happy Sam Beckett -- Bouncing -- Grotowski -- Artaud and the great puzzle -- How many trees make a forest -- It happened in Poland -- Peter Weiss's kick -- Provocations -- Manifesto for the sixties -- The theatre of cruelty -- The theatre can't be pure -- U.S. means YOU, U.S. mean US -- A lost art -- What is a Shakespeare -- Shakespeare isn't a bore -- An open letter to William Shakespeare, or, As I don't like it -- What is a Shakespeare -- The two ages of Gielgud -- Shakespearean realism -- Lear : can it be staged -- Exploding stars -- Points of radiance -- Dialectics of respect -- Shakespeare is a piece of coal -- The play is the message -- The world as a can opener -- The International Centre -- Structures of sound -- Life in a more concentrate form -- Brook's Africa -- The world as a can opener -- The ik -- An aborigine, I presume -- Filling the empty space -- Space as a tool -- bouffes du nord -- The conference of the birds -- Butter and the knife -- The cherry orchard -- The mahabharata -- Dharma -- The goddess and the jeep -- The forty years' war -- The art of noise -- Salomé -- Faust -- Eugène Onegin -- Carmen -- The taste of style -- Flickers of life -- Filming a play -- Lord of the flies -- Moderato Canabile -- Filming King Lear -- Tell me lies -- Meetings with remarkable men -- Entering another world -- The mask : coming out of our shell -- The essential radiance -- The culture of links -- As the story goes.

Collected poems

Renascence -- Interim -- The suicide -- God's world -- Afternoon on a hill -- Sorrow -- Tavern -- Ashes of life -- The little ghost -- Kin to sorrow -- The first rose on my rose-tree -- Let the little birds sing -- All the dog-wood blossoms are underneath the tree -- The shroud -- The dream -- Indifference -- Witch-wife -- Blight -- When the year grows old -- Spring -- City trees -- The blue-flag in the bog -- Journey -- Eel-grass -- Elegy before death -- The bean-stalk- -- Weeds -- Passer mortuus est -- Pastoral -- Assault -- Travel -- Low-tide -- Song of a second April -- Rosemary -- The poet and his book -- Alms -- Inland -- To a poet that died young -- Wraith -- Ebb -- Elaine -- Burial -- Mariposa -- The little hill -- Doubt no more that Oberon -- Lament -- Exiled -- The death of autumn -- Ode to silence -- Epitaph -- Prayer to Persephone -- Chorus -- Dirge -- Elegy -- Wild swans -- First fig -- Second fig -- Recuerdo -- Thursday -- To the not impossible him -- Macdougal street -- The singing-woman for the wood's edge -- She is overheard singing -- The unexplorer -- Grown-up -- The penitent -- Daphne -- Portrait by a neighbour -- Midnight oil -- The merry maid -- To Kathleen -- To S.M. -- The philosopher -- My heart, being hungry -- Autumn chant -- Nuit Blanche -- Oh, little rose tree, bloom -- Beat me a crown of bluer metal -- Rain comes down -- The wood road -- Feast -- Souvenir -- Scrub -- The goose girl -- The dragonfly -- Departure -- The return from town -- A visit to the asylum -- The Spring and the Fall -- The curse -- Keen -- The betrothal -- Humoresque -- The pond -- The ballad of the harp-weaver -- Never may the fruit be plucked -- The concert -- Hyacinth -- To one who might have borne a message -- Siege -- The cairn -- Spring song -- Memory of Cape Cod -- Moriturus -- Song -- To the wife of a sick friend -- The bobolink -- The hawkweed -- To a friend estranged from me -- The road to Avrille -- For Pao-Chin, a boatman on the Yellow Sea -- Northern April -- There at dusk I found you -- Being young and green -- Mist in the valley -- The hardy garden -- The pigeons -- The buck in the snow -- The anguish -- Justice denied in Massachusetts -- Hangman's oak -- Wine from these grapes -- To those without pity -- Dawn -- To a young girl -- Evening on Lesbos -- Dirge without music -- Memory of Cassis -- Portrait -- Winter night -- The cameo -- Counting-out rhyme -- The plum gatherer -- West country song -- Pueblo pot -- When caesar fell -- Lethe -- On first having heard the skylark -- To a musician -- Come along in then, little girl -- Oh, burdock, and you other dock -- Everybody but just me -- I know a hundred ways to die -- Look, Edwin! do you see that boy -- All the grown-up people say -- Wonder where this horseshoe went -- The return -- October -- an etching -- Autumn daybreak -- The oak-leaves -- The fledgling -- The hedge of hemlocks -- Cap D' Antibes -- From a train window -- The fawn -- Valentine -- In the grave no flower -- Childhood is the kingdom where nobody dies -- The solid sprite who stands alone -- Spring n the garden -- Sonnet -- Aubade -- Sappho crosses the dark river into Hades -- Epitaph -- On thought in harness -- Desolation dreamed of -- The leaf and the tree -- On the wide heath -- Apostrophe to man -- My spirit, sore from marching -- Conscientious objector -- Above these cares -- If still your orchards bear -- Lines for a grave-stone -- How naked, how without a wall -- The ballad of Chaldon Down -- The princess recalls her one adventure -- Short story -- Pretty love, I must outlive you -- English sparrows -- Impression: fog off the coast of Dorset -- The rabbit -- Song for young lovers in a city -- To a Calvinist in Bali -- Thanksgiving dinner -- The snow storm -- Huntsman, what quarry? -- That chill is in the air -- Branch by branch -- Distressed mind, forbear -- Not dead of wounds, not borne -- Poor passionate thing -- Rendezvous -- The fitting -- What savage blossom -- Menses -- The plaid dress -- "Fontaine, je ne bourai pas de ton eau!" -- Intention to escape from him -- To a young poet -- Modern declaration -- The road to the past -- The true encounter -- Not even my pride will suffer much -- Heart, do not bruise the breast -- Rolled in the trough of thick desire -- And do you think that love itself -- I had not thought so tame a thing -- Leap now into this quiet grave -- Now from a stout and more imperious day -- The time of year ennobles you -- Song for a lute -- For you there is no song -- Sonnet in answer to a question -- Nobody now throughout the pleasant day -- Gone over to the enemy now -- Over the hollow land -- Inert perfection -- Say that we saw Spain die -- Underground system -- Two voices -- Mortal flesh, is not your place in the ground? -- No earthly enterprise -- Lines written in recapitulation -- This dusky faith -- Truce for a moment -- To the maid of Orleans -- Memory of England -- The pear tree -- Druid's chant -- Song of the nations -- Baccalaureate hymn -- Invocation to the Muses -- To S.V.B. -- If, in the foggy Aleutians -- Poem and prayer for an invading army -- Christmas canticle -- We have gone too far -- Deep in the muck of unregarded doom -- The animal ball -- Through the green forest -- As sharp as in my childhood -- By goodness and by evil so surrounded -- At least, my dear -- Small hands, relinquish all -- Ragged island -- To whom the house of Montagu was neighbour -- This is mine, and I can hold it -- Of what importance, o my lovely girls, my dancers -- Few come this way -- The strawberry shrub -- When it is over -- The courage that my mother had -- Wild-cat, gnat and I -- This should be simple; if one's power were great -- Song -- New England spring, 1942 -- Her in a rocky cup -- How innocent we lie -- Armenoville -- Put it down! I say -- I still can see -- There were herbs strown -- Heavily on the faithful bulk of Kurvenal -- Dream of Saba -- Who hurt you so -- When the tree-sparrows with no sound -- Amorphous is the mind -- For warmth alone, for shelter only -- The agnostic -- The apple-trees bud, but I do not -- Black hair you'd day she had -- Cave canem -- An ancient gesture -- Jesus to His disciples -- Establishment is shocked -- Some things are dark -- If it should rain -- The Parsi woman -- Journal -- The sea at sunset can reflect -- I, in disgust with the living -- How did I bear it -- Men working -- Steepletop -- Even you, sweet Basil -- Nothing could stand all this rain -- Borage, forage for bees -- The gardener in haying time -- Sky-coloured bird -- To a snake -- I woke in the night and heard the wind -- Look how the bittersweet -- Truck-garden market-day -- Intense and terrible, I think, must be the loneliness -- Sometimes, oh, often, indeed -- Not for a nation -- Thou art not lovelier than lilacs, no -- Time does not bring relief, you all have lied -- Mindful of you the sodden earth in spring -- Not in this chamber only at my birth -- If I should learn, in some quite casual way -- This door you might not open, and you did -- I do but ask that you be always fair -- Love, though for this you riddle me with darts -- I think I should have loved you presently -- Oh, think not I am faithful to a vow -- I shall forget you presently, my dear -- We talk of taxes, and I call you friend -- Into the golden vessel of great song -- Not with libations, but with shouts and laughter -- Only until this cigarette is ended -- Once more into my arid days like dew -- No rose that in a garden ever grew -- When I too long have looked upon your face -- And you as well must die, beloved dust -- Let you not say of me when I am old -- Oh, my beloved have you thought of this -- As to some lovely temple -- Cherish you then -- When you -- That love at length -- Love is not blind -- I know I am but summer -- I pray you if you love me -- Pity me not -- Sometimes when I am wearied suddenly -- Oh, oh, you will be sorry for that word -- Here is a wound that never will heal -- I shall go back again to the bleak shore -- Say what you will -- What's this of death -- I see so clearly now my similar years -- Your face is like a chamber -- The light combes back with Columbine -- Lord Archer, Death, whom sent you in your stead -- Loving you less than life -- I, being born a woman and distressed -- What lips my lips have kissed -- Still will I harvest beauty where it grows -- How healthily after feet upon the floor -- Euclid alone has looked on beauty bare -- Sonnets from an ungrafted tree.

Life ... -- Grow not too high -- Not that it matters -- Country of hunchbacks -- Upon this marble bust that is not I -- For this your mother sweated in the cold -- Sweet sounds -- What thing is this that -- The beast that rends me in the sight of all -- No lack of counsel from the shrewd and wise -- Nay, learned doctor, these fine leeches fresh -- Of all that ever in extreme disease -- Since I cannot persuade you from this mood -- Nigh is my sister -- Yet in an hour to come -- When you are dead -- Strange thing that I -- Not in a silver casket cool with pearls -- Olympian gods -- I said -- Epitaph for the race of man -- Those hours when happy hours were my estate -- Not, to me, less lavish -- Tranquility at length -- And is indeed truth beauty -- to hold secure the province of pure art -- And if I die -- It is the fashion now to wave aside -- Admetus -- What chores these churls do put upon the great -- I will put chaos into fourteen lines -- Come home, victorious wounded -- Read history so learn your place in time -- Read history thus learn how small a space -- My words that once were virtuous and expressed -- Now sits the autumn cricket in the grass -- And must I then -- If I die solvent -- Grief that is grief and properly so hight -- Felicity of grief -- What rider spurs him from the darkening east.

Caspian Region--promise and peril

Caspian Sea