I.B. Tauris Publishers ; Distributed by St. Martin's Press,
9781860641589
Book
The British at war : cinema, state, and propaganda, 1939-1945
Cinema and society series
Cinema and society.
Organisations and Policies -- The MOI Films Division -- A Policy for Film Propaganda -- The MOI and Feature Film Propaganda -- The MOI and Short Film Propaganda -- The Crown Film Unit -- The Service Film Units -- Subjects and Themes -- The People's War -- Officers and Men -- Women and War -- Friend and Foe -- History and Heritage.
Chapman, James, 1968-
James Chapman.
1998
The British at war : cinema, state, and propaganda, 1939-1945
c1992.
Electronic resource
Princeton University Press,
9780691222059
Electronic resource
Passions and deceptions : the early films of Ernst Lubitsch
JSTOR EBA.
From Comic Actor to Film Director, 1914-1918 -- The German Feature Films, 1918-1922 -- Hollywood--The Silent Films, 1923-1929 -- The American Sound Films, 1929-1932 -- Film Analyses -- Wayward Women: The Oyster Princess, The Doll, and The Mountain Cat -- The Period Film as Palimpsest: On Passion and Deception -- The Tyranny of Vision: So This Is Paris and Others -- Exploring the Boundaries of Sound: Monte Carlo -- The Object, the Image, the Cinema: Trouble in Paradise.
Hake, Sabine, 1956-
Sabine Hake.
1992
Passions and deceptions : the early films of Ernst Lubitsch
[1975]
New concise edition.
Surveys the art of Walt Disney and his perfection of the cartoon, feature animation, live-action films of nature, and his amusement parks.
Book
9780810903210
9780810990074
Book
The art of Walt Disney : from Mickey Mouse to the Magic Kingdoms
Mickey Mouse.
Snow White and the seven dwarfs (Motion picture)
Pinocchio (Motion picture : 1940)
Fantasia (Motion picture)
Dumbo (Motion picture)
Bambi (Motion picture)
Davy Crockett (Television program)
Mary Poppins (Motion picture)
Introduction -- A new art form. Early enterprises -- Mickey Mouse and Silly Symphonies -- Six cartoon classics -- Hyperion days -- Feature animation. Snow White : the first feature -- Pinocchio -- Fantasia : the great experiment -- Dumbo and Bambi -- Interruptions and innovations -- Later animation -- Live-action films. Actors and animals -- Davy Crockett, other heroes and Mary Poppins -- The Magic Kingdoms. Beyond film : Disneyland and Walt Disney World.
Finch, Christopher, author.
by Christopher Finch.
1975
The art of Walt Disney : from Mickey Mouse to the Magic Kingdoms
©2011.
Electronic resource
Excelsior Editions/State University of New York Press,
9781461906353
9781438438344
9781438438368
Electronic resource
Truant pastures : the complete poems of Harry C. Staley
Introduction I / Chalk It -- Pesky Art of Harry C. Staley / Lives of a Shell-Shocked Chaplain: Charles McCaffery (b. 1920 d. 1987) -- Early Times -- Preliminary Report From Dr. Peters, Geo-therapist -- Penmanship (1931, 1984) -- Argument from Design -- Nocturnes (from early films) -- Dog-fight -- Autopsy -- Double-Feature -- All Quiet on the Western Front -- Services (1929) -- Biology One (1934, 1957) -- Take Us In Mister? -- Asymptote (1945) -- Le Bourget -- Engagement -- Therapy (1970-1974) -- Immersion -- Casualties -- Sacrifications -- Dark Cubes -- Morning Song -- Apochrypha -- About the Aeneid -- Mother Behold Thy Son -- Early Gothic -- Tidings (Christmas 1930s, 1973) -- Contractions -- Ex-Capt. McCaffery -- Fr. Charles Visits Athens -- ^
Staley, Harry C., 1924-
Judith E. Johnson -- George Drew --
Harry C. Staley.
2011
Truant pastures : the complete poems of Harry C. Staley
c1996.
Wanted Dead or Alive presents the first ever comprehensive look at how the American West has been depicted in popular culture. Following Richard
Book
University of Illinois Press,
9780252022241
9780252065279
Book
Wanted dead or alive : the American West in popular culture
Pop culture West / Malaeska's revenge ; or, the dime novel tradition in popular fiction / Writers of the purple sage : novelists and the American West / Let 'er rip : popular culture images of the American West in wild west shows, rodeos, and rendezvous / Westbound : feature films and the American West / Good guys wore white hats : the B western in American culture / Prime time bonanza! the western on television
Blaze of glory : the mythic West in pop and rock music / Cool water, rye whiskey, and cowboys : images of the west country music / Viewing the West : the popular culture of American Western painting / Selling the myth : western images in advertising
Aquila, Richard, 1946-
Richard Aquila -- Christine Bold -- William Bloodsworth -- Thomas L. Altherr -- John H. Lenihan -- Ray White -- Gary A. Yoggy.
Richard Aquila -- Kenneth J. Bindas -- Joni L. Kinsey -- Elliott West.
edited by Richard Aquila.
1996
Wanted dead or alive : the American West in popular culture
[2019]
The rise of digital media and globalization's intensification since the 1990s have significantly refigured global cinema's form and content. The
Electronic resource
9781978803190
Electronic resource
Border cinema : reimagining identity through aesthetics
Global media and race
Global media and race.
Frontmatter -- Contents -- 1. Introduction--Moving Images: Contesting Global Borders in the Digital Age / 2. Composite Aesthetics as Cultural Cartographies of Europe in Transition / 3. Undocumation: Documentary Animation's Unsettled Borders / 4. The Art of Witness in Lourdes Portillo's Señorita extraviada / 5. The Cinematic Borderlands of Alejandro González Iñárritu's Babel / 6. Challenging European Borders: Goran Paskaljevic's Honeymoons / 7. Remapping the Borderlands in ¿Quién diablos es Juliette? / 8. Crossing through el Hueco: The Visual Politics of Smuggling in Colombian Migration Films / 9. Toward a Transfrontera-Latinx Aesthetics: An Interview with Filmmaker and Artist Alex Rivera / 10. No-Man's- Land: Shifting Borders and Alternating Identities in Contemporary Israeli Cinema / 11. The Borders We Cross in Search of a Better World: On Border Crossing in Three of Amos Gitai's Feature Films / 12. Filipinos at the Border: Migrant Workers in Transnational Philippine Cinema / Acknowledgments -- Bibliography -- Filmography and Videography -- Notes on Contributors -- Index
Hanna, Monica, editor.
Sheehan, Rebecca, 1979- editor.
Hanna, Monica / Sheehan, Rebecca A. -- Hassapopoulou, Marina -- Sheehan, Rebecca A. -- Fregoso, Rosa-Linda -- Hanna, Monica -- Pinzi, Anita -- Lahr-Vivaz, Elena -- Vargas, Jennifer Harford -- Aldama, Frederick Luis -- Zanger, Anat / Gertz, Nurith -- Munk, Yael -- Capino, José B. --
edited by Monica Hanna & Rebecca Sheehan.
2019
Border cinema : reimagining identity through aesthetics
[2014]
This collection of essays demonstrates how new media and genres as well as unnatural narratives challenge classical forms of narration in ways th
Electronic resource
9783110353242
9783110376838
Electronic resource
Beyond classical narration : transmedial and unnatural challenges
Narratologia : contributions to narrative theory,
Narratologia ;
Frontmatter -- Contents -- Introduction: Transmedial and Unnatural Narratology / The Selection and Concretization of Elements in Verbal and Filmic Narration / Toward a Transmedial Narratology: On Narrators in Contemporary Graphic Novels, Feature Films, and Computer Games / From Ironic Distance to Unexpected Plot Twists: Unreliable Narration in Literature and Film / Narratorial Strategies in Drama and Theatre: A Contribution to Transmedial Narratology / Building Stories around Contemporary Performing Arts: The Case of Romeo Castellucci's Tragedia Endogonidia / Narrative Journalism from a Transdisciplinary Perspective: A Narratological Analysis of Award-Winning Literary Reportages / Web Series between User-Generated Aesthetics and Self- Reflexive Narration: On the Diversification of Audiovisual Narration on the Internet / Emergent Narrative, Collaborative Storytelling: Toward a Narratological Analysis of Alternate Reality Games / Photography and Narrative: The Representation of the Atomic Bomb in Photographs of Nagasaki from 1945 to 1995 / Musical Narratology: An Outline / Flow-Stoppers and Frame-Breakers: The Cognitive Complexities of the Film Musical Exemplified by Lars von Trier's Dancer in the Dark (2000) / The Unnatural in E.A. Poe's "The Oval Portrait" / Postmodernist Impossibilities, the Creation of New Cognitive Frames, and Attempts at Interpretation / Notes on Contributors.
Alber, Jan, 1973- editor.
Hansen, Per Krogh, editor.
Alber, Jan ; Hansen, Per Krogh -- Schmid, Wolf -- Thon, Jan-Noël -- Brütsch, Matthias -- Martens, Gunther ; Elshout, Helena -- Hennaut, Benoît -- Berning, Nora -- Kuhn, Markus -- Meifert-Menhard, Felicitas -- Tsuchiyama, Yoko -- Pawłowska, Małgorzata -- Hansen, Per Krogh -- Nielsen, Henrik Skov -- Alber, Jan --
edited by Jan Alber, Per Krogh Hansen.
2014
Beyond classical narration : transmedial and unnatural challenges
2003.
1st ed.
The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both cl
Electronic resource
Brunner-Routledge,
9780203013915
9780203357200
9786610059911
9781583919521
9781583919514
9781135444525
9781135444471
9781135444518
Electronic resource
The couch and the silver screen : psychoanalytic reflections on European cinema
The new library of psychoanalysis ;
New library of psychoanalysis ;
Foreword / Introduction / Inner and outer worlds of the filmmaker's temporary social structure / One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / WORKING THROUGH TRAUMA -- Sons and fathers: a room of their own -- Nanni Moretti's The son's room (2001) / Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) / Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) / Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation / István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma / Notes on the relevance of psychoanalytic theory to Euro-horror cinema / Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development / Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) / Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) / Narratives and documentaries: an encounter with Michael Apted and his films / Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) / Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) / Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) / Filming psychoanalysis: feature or documentary? Two contributions
Sabbadini, Andrea.
Laura Mulvey -- Andrea Sabbadini -- Bernardo Bertolucci, Fiona Shaw, Chris Mawson -- Ian Christie, Juliet Stevenson, Helen Taylor Robinson -- Nanni Moretti [and others] -- Jed Sekoff -- Annegret Mahler-Bungers -- Liliana Pedrón de Martín -- Diana Diamond -- Steven Jay Schneider -- Donald Campbell -- Candy Aubry -- Michael Grant -- Michael Apted, Helen Taylor Robinson -- Elizabeth Cowie -- Ljiljana Filipović -- Emanuel Berman, Timna Rosenheimer, Michal Aviad -- Hugh Brody, Michael Brearley.
edited by Andrea Sabbadini.
2003
The couch and the silver screen : psychoanalytic reflections on European cinema
2008.
'The Cult Film Reader' contains major essays written on the structure, form, status, and reception of global cult cinema traditions. It includes
Book
Open University Press/McGraw-Hill Education,
9780335219230
9780335219247
Book
The cult film reader
concept of cult: Film cults / The work of art in the age of mechanical reproduction / Notes on "camp" / Uses of camp / Casablanca : cult movies and intertextual collage / Science fiction double feature : ideology in the cult film / Semiotics by instinct : "cult film" as a signifying practice between film and audience / "Trashing" the acadamy : taste, excess and an emerging politics of cinematic style / Sleaze mania, Euro-trash and high art : the place of European art films in American low culture / Media fandom, neoreligiousity and cult(ural) studies / Cult fictions : cult movies, subcultural capital and the production of cultural distinctions / Cult case studies: chien andalou / The anxiety of influence : Georges Franju and the medical horrorshows of Jess Franco / The obscene seen : spectacle and transgression in postwar burlesque films / Orson Welles and the big experimental film cult / Little cinema of horrors / What is a cult horror film? / Blaxploitation horror films : generic reappropriation or reinscription? / Carter in context / The future of allusion : Hollywood in the seventies (and beyond) / Hitchcock in Texas : intertextuality in the face of blood and gore / The essential evil in/of Eraserhead (or, Lynch to the contrary) / The cult of horror / The Blair witch project : film and the internet / National and international cults: topo : through the wasteland of the counterculture / Playing with genre : an introduction to the Italian giallo / Han's island revisited : Enter the dragon as transnational cult film / Magical girls and atomic bomb sperm : Japanese animation in America / The killer : cult film and transcultural (mis)reading / Trading in horror, cult and matricide : Peter Jackson's phenomenal bad taste and New Zealand fantasies of inter/national cinematic success / Invisible representation : the oral contours of a national popular cinema / Mute bodies, disembodied voices : notes on sound in Turkish popular cinema / Ichi the killer / Cult consumption: Cult of distraction : on Berlin's picture palaces / Introduction to distinction / Portrait of a cult film audience : The Rocky Horror picture show / Subcultural studies and the film audience : rethinking the film viewing context / 'Fans' notes : the horror film fanzine / Get a life! : fans, poachers, nomads / The cultural economy of fandom / The crash controversy : reviewing the press / Beaver Las Vegas! : a fan-boy's defence of Showgirls / Menstrual monsters : the reception of the Ginger snaps cult horror franchise
Mathijs, Ernest.
Mendik, Xavier.
Harry Allan Potamkin. Walter Benjamin. Susan Sontag. Andrew Ross. Umberto Eco. Barry K. Grant. Anne Jerslev. Jeffrey Sconce. Joan Hawkins. Matt Hills. Mark Jancovich -- Jean Vigo. Joan Hawkins. Eric Schaefer. Parker Tyler. Gary Hentzi. Welch Everman. Harry Benshoff. Steve Chibnall. Noel Carroll. Janet Staiger. Steven Jay Schneider. Lawrence O'Toole. J.P. Telotte -- J. Hoberman and Jonathan Rosenbaum. Gary Needham. Leon Hunt. Annalee Newitz. Jinsoo An. Harmony Wu. Sheila J. Nayar. Nezih Erdoǧan. Tom Mes -- Siegfried Kracauer. Pierre Bourdieu. Bruce A. Austin. Gina Marchetti. David Sanjek. Henry Jenkins. John Fiske. Martin Barker, Jane Arthurs, Ramaswami Harindranath. I.Q. Hunter. Martin Barker, Ernest Mathijs, Xavier Mendik.
edited by Ernest Mathijs and Xavier Mendick.
2008
The cult film reader
2016.
Surveys the cultural, political, and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements
Book
9780500292099
Book
A new history of animation
Origins of animation -- Setting the scene for animation. Early innovations in simulating movement ; The printing press and comic strips ; The impact of photography on studies of locomotion ; The transition to animated cinema -- The magic of early cinema. Entrepreneurs of early cinema ; First approaches to animation ; Wonderful tricks: special effects in early film -- Foundations of the animation industry. The beginnings of drawn animation ; Bray, Barré, and the emergence of the animation studio system ; The development of the Hollywood studio system and the modern cinema experience ; Stop-motion developments of the 1910s -- The late silent era and the coming of sound. Iconic figures of the late silent era ; Distribution options ; The introduction of sound technology ; The consolidation of the American animation industry ; Stop-motion developments in the late silent era -- Early animation -- Animation as modern art. Modern movements in painting ; The development of modern art ; Lotte Reneger and the art and craft of silhouette animation ; Abstraction, transcendence, and visual music: theories of modernest animation ; The Russian film theory revolution ; Collaboration in unsettled times: modernist animation of the 1930s ; Support for modernist animation -- Disney's new aesthetic. Creating an identity ; The reorganization of the studio ; A new aesthetic for a new era ; The ideas behind "Disney style" movement ; Disney's first feature films -- Style and the Fleischer Studio. The development of style in the 1930s ; The Fleischer studio: style and structure ; Classifying content ; Censorship ; The New Deal and the rise of unions in the US animation industry -- Comedy and the dominance of American animation. Key elements of comedy ; Animation at Warner Bros. ; Animation at MGM -- Wartime and midcentury -- Animation in World War II. Animation and the war effort ; The events of World War II ; Identifying the enemy ; Animation with an agenda ; Wartime animation outside the United States -- International developments in postwar animation. Occupation and animation ; Postwar animation in communist countries ; Postwar animation in Great Britain and Canada -- Stop-motion approaches. Experiments in stop-motion ; Stop-motion in advertising ; Stop-motion in Eastern Europe ; Pioneering efforts in Japan and China ; Japanese theatrical traditions ; American stop-motion in the postwar period ; Stop-motion stars -- Midcentury shifts in American design. Finding the artist in animation: developments at the major studios ; United we stand: the influences of the UPA Studio ; The rise of animated advertising -- Early television animation. The beginnings of made-for-television animation in America ; The rise of children's animated television series ; Media regulation ; American animated television production in the 1980s ; International developments in made-for-television animation -- Experimental modes -- Postwar experimentation. Animation and the avant-garde ; Experiments with perception ; The beginnings of animated computer art -- New audiences for animated features. New voices in popular media ; Disney animation from the postwar era ; Creative work from Disney's rivals ; The rise of international projection ; Attracting the youth audience --
New contexts and voices -- The emergence of electronic games. The impact of technology on games ; Types of game ; The online came community ; Creating and modifying games ; Heroes and damsels in distress ; The future of animated games -- Voices from the Eastern Bloc. The introduction of a modern style in Soviet animation ; Animation after the fall of the Soviet Union ; Czechoslovakia's changing political identity ; Varied directions for Czech animation ; Animation from the Visegrad group -- Authorship in animated shorts. Support for short films ; Women and authorship ; Formal and technical experimentation ; Developing stop-motion worlds -- The Disney renaissance. Before the renaissance: challenges to Disney's reputation ; Key administrators at the new Disney ; Films of the Disney renaissance ; Disney theater ; After the renaissance -- Television as a creative space. Commercial broadcast animation ; Cable animation -- Computer-generated animation in features. Innovators in the effects world ; Creating an authentic reality ; John Lasseter and the rise of Pixar ; Digital advances at DreamWorks Animation ; The illusion of depth ; Disney building its digital empire ; Other players embrace CGI -- Animation worldwide -- The culture of Japanese animation. Manga and anime ; Hayao Miyazaki, Isao Takahata, and Studio Ghibli ; A survey of Japanese animation studios ; Innovative short film production ; Preserving a cultural legacy -- The panorama of world animation. A global challenge: creating a national style ; International feature films ; Distributing world animation: GKIDS -- Animation in the art world. Finding the art in animation ; Installations ; Projections and site-specific works ; Animation and performance ; The art of video games -- Glossary.
Furniss, Maureen, author.
Maureen Furniss.
2016
A new history of animation
[©1991]
When 18-year-old Mark "accidently" makes million on the stock market, his whole family and their values are affected.
Videocassette
Feature Films for Families,
Videocassette
In your wildest dreams
Wilburn, Lisa.
Black, Trevor.
Feature Films for Families.
ICTAC.
1991
In your wildest dreams
[c1991]
When 18-year-old Mark "accidently" makes million on the stock market, his whole family and their values are affected.
DVD
JLC Title 245h
[videorecording]
Feature Films for Families,
DVD
In your wildest dreams [videorecording]
Wilburn, Lisa.
Black, Trevor.
Feature Films for Families.
ICTAC.
1991
In your wildest dreams [videorecording]