The music of Joseph Joachim
Virtuosity Uncoiled: Two Fantasies Rediscovered -- Fantasy on Hungarian Themes (1848-50) -- Fantasy on Irish [Scottish] Themes (1852) -- From Leipzig to Weimar Early Sketches -- Andantino and Allegro scherzoso Op. 1 (1844-47) -- Three Pieces Op. 2 (1849-52) -- Between Uncoiled Virtuosity and Lisztian Temptations -- Violin Concerto in G minor `in One Movement'O p. 3 (1851-52) -- Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik -- Overture to Shakespeare's Hamlet Op. 4 (1851-53) -- Joachim Encoded, or `Psychological Music' -- Three Pieces Op. 5 (1853) -- Cipher Pieces -- `Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876 -- Overture to Herman Grimm's Demetrius Op. 6 (1853-54) -- Scene of Marfa from Schiller's Unfinished Drama Demetrius Op. 14 (1876) -- Resisting the Dark Butterfly -- Overture to Shakespeare's Henry IV Op. 7 (1853-54) -- Overture to a Comedy (Lustspiel) by Gozzi Op. 8 (1854) -- String Quartet Movement in C minor (1858) -- Joachim and the Art of Variation -- Variations on an Original Theme Op. 10 (1854) -- Variations on an Irish Elfenlied (1856) -- Variations for Violin with Orchestral Accompaniment (1878-79) -- Identities -- Concerto `in the Hungarian Manner' Op. 11 (1857-59) -- Hebrew Melodys Op. 9 (1854) -- Ciphers in Disguise: Gisela von Arnim and Compositional Memories -- Elegiac Overture `in Memory of the Poet Heinrich von -- Kleist'O p. 13 (1856) -- Notturno Op. 12 (1858) -- Violin Concerto in G major (1863-64) -- Cultural Objects in a Prussian Society -- March No. 1 in C major (1871) -- March No. 2 in D major (1871) -- Overture for the Birthday of Kaiser Wilhelm II (1896).
