Issues in the conservation of paintings

Readings in conservation

Readings in conservation.

Memoirs / On the restoration of The circumcision by Signorelli / Instructions for the restoration of a painting by Rogier van der Weyden / Lives of the illustrious Netherlandish and German painters / Rubens's mission to Spain in 1603 / Notes on cleaning / The mellowing effects of time / The destructive effects of time / Advice on the restoration of the Spanish king's paintings / Letter to the Gentleman's magazine / Comments on restoration / Report on the work of a Spanish restorer / On the preservation of pictures / On Turner's recent works / Edgar Degas and his restorer / Letters to his restorer / The aesthetics of restoration / On conserving Rembrandt's paintings / Comment on a painting by Abbott Thayer / An accidence, or gamut, of painting in oil and water colours / On the restoration of the royal paintings of Venice / Report from the Select Committee on the National Gallery / Dirt and pictures separated, in the works of the old masters / The cleaning of old paintings / The cleaning of paintings : problems and potentialities / History of restoration / Who needs a conservator? / The display of paintings in public galleries / The art of painting in oil and in fresco / Preservation of pictures / Volpato manuscript : preliminary observations / Venetian methods / Ultra-violet rays and their use in the examination of works of art / Art criticism from a laboratory / The preparation and study of paint cross-sections / The technique of the "Flemish primitives" / Magilphs and mysteries / Rembrandt : the painter at work / Polite arts / On the modes of strengthening panels by Ledges or Battens / Hand-book for the preservation of pictures / The transfer of an oil painting from a panel onto canvas / The lining cycle / Relining of easel oil painting with sturgeon glue / The first transfer at the Louvre in 1750 : Andrea del Sarto's La Charite / Of mending and cleaning pictures and paintings / The art of restoration / Restoration of the paintings of the Louvre / Manual for the painter-restorer / The idea of the perfect restorer / On oil paint and the conservation of painting galleries using the procedure of regeneration / Should missing areas of paintings be completed and what would be the best way to do so? / The aesthetic and historical aspects of the presentation of damaged pictures / The idea of patina and the cleaning of paintings / The crucifix by Cimabuc / Long lost relations and new found relativities : issues in the cleaning of paintings / Some picture cleaning controversies : past and present / The first cleaning controversy at the National Gallery, 1846-1853 / Antipathy to picture restorations / Interview with George Lance / Restoration of the paintings of the Louvre : response to an article by Mr. Frederic Villot / "Restoration" : the doom of pictures and sculpture / Storm over Velazquez / An exhibition of cleaned pictures / Dark varnishes : variations on a theme from Pliny / Dark varnishes -- some further comments / Crimes against the cubists / "Crimes against the cubists" : an exchange

Manuel Neri : early work, 1953-1978

Textile conservation : advances in practice

Butterworth-Heinemann series in conservation and museology

Butterworth-Heinemann series in conservation and museology.

Alaskan's how to handbook

Alaska trappers present . . . Alaskan's how to handbook

Emotional equations : simple truths for creating happiness + success

Touring exhibitions : the touring exhibitions group's manual of good practice

The touring exhibitions manifesto -- Policy / Cultural diversity / Market research / Concept / External curators / Evaluation / Documentation / Scheduling / Budgets / Sources of grant aid / Sponsorship / Sources of Information / Collaborations / Working with commercial galleries / International touring / Hire agreements and fees / Advance information / Designing exhibition galleries / Commissioning a designer / Lighting / Display cases / Interpretation / Audio-visual media / Interactive exhibits / Education programmes / Live events / Fire precautious / Care of visitors / Public liability insurance / Publicity / Press coverage / Publishing and retailing / Reproduction and copyright / Working with artists / Selling exhibits / Borrowing Exhibition / Larger museums as lenders / Facilities reports / Conservation / Insurance / Indemnity / Security / The venue's Environment / Protection from flooding / Packing / Condition report / Protection against pests / Handling / Installation / Storage / Couriers / Agents for shipping, packing and technical services / Road Transport / Air freight / Sea transport / Import and export rules and regulations

Àbadakone

Continuous fire = Feu continuel

Feu continuel

Eji Ekidòmagak "Àbadakone" / The meaning behind Àbadakone = Continuous Fire = Feu continuel / Àbadakone = Continuous Fire = Feu continuel: feeding the flames: introduction / A conversation about curating: from Sakahàn to Àbadakone / Making tomorrow from long-ago / Embodied resurgence: global indigenous performance / Proving them wrong: a conversation with Thirza Cuthand / Native but foreign, citizen but cosmopolitan: reflections on African art, indigeneity and fluid communities / Shaman showman: the spectacular work of the late and great James Luna / Sharing words, hides and thoughts about an archive / Tasipyane yakai ki Kacaucadurane: performative sovereignty in Between Dreams by Eleng Luluan at Àbadakone = Continuous fire = Feu continuel / World-making: Indigenous art and worlding the global / Afterword: 22nd century Proto:Typing

Barry Ace (Anishinaabe) -- Brian Adams (Iñupiac) -- Leonce Raphael Agbodjélou (Goun) -- Joi T. Arcand (nēhiyaw) -- Shuvinai Ashoona (Inuit) -- Pierre Aupilardjuk (Inuit) -- Pierre Aupilardjuk (Inuit) and Shary Boyle (Canadian) -- Rebecca Belmore (Anishinaabe) -- Jordan Bennett (Mi'kmaq) -- Catherine Blackburn (Denesuline from English River First Nation) -- Inger Blix Kvammen (Sámi) -- Dempsey Bob (Tahltan and Tlingit) -- Edgar Calel (Maya-Kaqchikel) -- Manuel Chavajay (Maya-Tz'utujil) -- Hannah Claus (Kanien'kehá:ka and English) -- Dana Claxton (Hunkpapa Lakota) -- Melissa Cody (Diné (Navajo)) -- Ruth Cuthand (Cree) -- Thirza Cuthand (Cree) -- Mique'l Dangeli (Tsimshian) and Nick Dangeli (Tsimshian, Nisga'a and Colville Nations) -- Dayna Danger (Métis, Saulteaux and Polish) -- Jeneen Frei Njootli (Vuntut Gwitchin Nation) -- Maureen Gruben (Inuvialuk) -- Helen Haig-Brown (Tsilhqót'in) and Gwaai Edenshaw (Haida) -- Marja Helander (Sámi) -- Sky Hopinka (Ho-chunk/Pechanga) -- Maria Hupfield (Anishnaabe) -- Taiye Idahor (Edo) -- Ursula Johnson (Mi'kmaq) -- Eleng Luluan (Rukai Nation) -- Balu Jivya Mashe (Warli) -- -- Mata Aho Collective (Te Ātiawa ki Whakarongotai, Ngāti Toa Rangātira, Ngāti Awa, Ngāi Tūhoe, Ngāti Ranginui, Ngāi Te Rangi, Rangitāne ki Wairarapa) -- Siwa Mgoboza (Hlubi) -- Dylan Miner (Métis) -- Tracey Moffatt (Australian) -- Caroline Monnet (Algonquin and French) -- Peter Morin (Tahltan and French Canadian) -- Zanele Muholi (Zulu) -- Joar Nango (Sámi) -- Marianne Nicolson (Dzawada̲'enux̲w Kwakwa̲ka̲'wakw) -- Eko Nugroho (Javanese) -- Sayo Ogasawara (Ainu) -- Qudus Onikeku (Yorùbá) -- Inga-Wiktoria Påve (Sámi) and Anders Sunna (Sámi) -- Fernando Poyón (Maya) -- Fredrik Prost (Sámi) -- Skeena Reece (Métis, Cree, Tsimshian, Gitksan) -- Peter Robinson (Ngai Tahu) -- Evgeniy Salinder (Nenets) -- Sarah Sense (Chitimacha, Choctaw and American) -- Skawennati (Kanien'keha:ka and Italian-Canadian) -- Ningiukulu Teevee (Inuit) -- Joseph Tisiga (Kaska Dene) -- Tribal Women Artists Cooperative (Adivasi) -- Lucy Tulugarjuk (Inuit) -- Rajesh Chaitya Vangad (Warli) and Gauri Gill (Indian) -- Laakkuluk Williamson Bathory (Kalaallit Inuit), Jamie Griffiths (Canadian), Cris Derksen (Cree) and Christine Tootoo (Inuit) -- Will Wilson (Diné (Navajo)) -- Lisa Hageman Yahgujanaas [that is, Yahgulanaas] (Haida).