[Miscellaneous films from the Bovee Historical Film Collection] [videorecording].

[Miscellaneous films from the Bovee Historical Film Collection] [videorecording].

[Miscellaneous films from the Bovee Historical Film Collection] [videorecording].

[Miscellaneous films from the Bovee Historical Film Collection] [videorecording].

[Miscellaneous films from the Bovee Historical Film Collection] [videorecording].

[Miscellaneous films from the Bovee Historical Film Collection] [videorecording].

Republic Studios : between poverty row and the majors

rise and fall of Republic : a historical overview -- Film studies and Republic -- Influence, the motion picture, the B movie, and Republic -- sound serial and Republic's golden age -- Captain America : a case study -- serial : beyond the golden age -- Republic's cowboys -- the Three Mesquiteers, Gene Autry, and Roy Rogers -- Republic's other films : series and non-series -- Republic legacy : summary and conclusion -- Epilogue : the later years -- Republic serials -- Republic's Three Mesquiteer series -- Gene Autry's Republic appearances -- Roy Roger's Republic appearances -- Other Republic series discussed.

Rethinking media change : the aesthetics of transition

Media in transition

Media in transition.

Toward an aesthetics of transition / Web of paradox / Historicizing media in transition / Re-newing old technologies : astonishment, second nature, and the uncanny in technology from the previous turn-of-the-century / How users define new media : a history of the amusement phonograph / Books are dead, long live books / Help or hindrance? The history of the book and electronic media / Historical perspectives on the book and information technology / Potholes on the information superhighway : Congress as a publisher in nineteenth-century America / Prophetic peasants and bourgeois pamphleteers : the camisards represented in print, 1685-1710 / Redefining the home screen : technological convergence as trauma and business plan / Homer to home page : designing digital books / Forms of future / Stitch bitch : the patchwork girl / "Let's be going" : a parent reads GeekCereal / Private uses of cyberspace : women, desire, and fan culture / Quentin Tarantino's Star wars? Digital cinema, media convergence, and participatory culture / Immersion in the virtual ornament : contemporary "movie ride" films / virtual window / Architectures of the senses : neo-baroque entertainment spectacles / Media technology and museum display : a century of accomodation and conflict

Cecil B. DeMille and American culture : the silent era

The Lasky Company and Highbrow Culture: Authorship versus Intertextuality -- The Consumption of Culture: Highbrow versus Lowbrow -- Texts and Intertexts: A Question of Authorship -- Geraldine Farrar: A Diva Comes to Hollywood -- Critical Discourses -- Film: The New Democratic Art -- Self-Theatricalization in Victorian Pictorial Dramaturgy: What's His Name -- Melodrama as a Middle-Class Sermon -- A Genteel Audience: Rewriting Domestic Melodrama -- Character versus Personality: What's His Name -- The Lower East Side as Spectacle: Class and Ethnicity in the Urban Landscape -- Representations of the City: Artificial or Romantic Realism -- Social Ills and Comic Relief: The Chimmie Fadden Series -- A Tour of the Lower East Side: Kindling -- Cinderella of the Slums: The Dream Girl -- The Screen as Display Window: Constructing the "New Woman" -- The "New Woman" as a Consumer -- Cinderella on the Lower East Side: The Golden Chance -- The "New Woman" versus the New Immigrant: The Cheat -- The Sentimental Heroine versus the "New Woman": The Heart of Nora Flynn -- The Historical Epic and Progressive Era Civic Pageantry: Joan the Woman -- A Usable Past: Civic Pageants as Historical Representation -- Representations and the Body Politic: Joan the Woman -- Discourse on Femininity: Joan of Are as a Symbol of Gender Conflict -- Critical Discourses: Gender and the Moral Lesson of History -- Set and Costume Design as Spectacle in a Consumer Culture: The Early Jazz Age Films -- DeMille's "Second Epoch."

New approaches to teaching folk and fairy tales

Cross-disciplinary perspectives on teaching folklore and fairy tales in higher education / Fantastic environments : mapping fairy tales, folklore, and the otherworld. Fairy tales, myth, and fantasy / Teaching fairy tales in folklore classes / At the bottom of a well : teaching the otherworld as a folktale environment / Sociopolitical and cultural approaches to teaching canonical fairy tales. The fairy-tale forest as memory site : romantic imagination, cultural construction, and a hybrid approach to teaching the Grimms' fairy tales and the environment / Grimms' fairy tales in a political context : teaching East German fairy-tale films / Teaching Charles Perrault's Histoires, ou, contes du temps passé in the literary and historical context of the Sun King's reign / Lessons from Shahrazad : teaching about cultural dialogism / Decoding fairy-tales semantics : analyses of translation issues, linguistics, and symbolisms. The significance of translation / Giambattista Basile's The tale of tales in the hands of the Brothers Grimm / Teaching Hans Christian Andersen's tales : a linguistic approach / Teaching symbolism in "Little Red Riding Hood" / Classical tales through the gendered lens : cinematic adaptations in the traditional classroom and online. Binary outlaws : queering the classical tale in François Ozon's Criminal lovers and Catherine Breillat's The sleeping beauty / Teaching "Gender in fairy tale films and cinematic folklore" online : negotiating between needs and wants / Intertextuality, creativity, and sexuality : group exercises in the fairy-tale/gender studies classroom

Women and film : both sides of the camera

The classical and contemporary Hollywood cinema: Is the gaze male? -- Patriarchy and the male gaze in Cukor's Camille (1936) -- Fetishism and the repression of motherhood in Von Sternberg's Blonde Venus (1932) -- The struggle for control over the female discourse and female sexuality in Welles's Lady from Shanghai (1946) -- Forms of phallic domination in the contemporary Hollywood film: Brooks's Looking for Mr. Goodbar (1977) -- The independent feminist film: The avant-gardes in Europe and the USA -- Silence as female resistance in Marguerite Duras's Nathalie Granger (1972) -- Female politics in the symbolic realm: Von Trotta's Marianne and Juliane (The German sisters) (1981) -- The American experimental woman's film: Yvonne Rainer's Lives of performers and Film about a woman who... (1972-4) -- The realist debate in the feminist film: a historical overview of theories and strategies in realism and the avant-garde theory film (1971-81) -- The avant-garde theory film: three case studies from Britain and the USA: Sigmund Freud's Dora (1979), Thriller (1979), Mulvey/Wollen's Amy! (1980) -- Mothers and daughters in two recent women's films: Mulvey/Wollen's Riddles of the Sphinx (1976) and Michelle Citron's Daughter-rite (1978) -- The woman director in the Third World: Sara Gomez's One way or another (1974) -- The future of the independent feminist film: strategies, production, exhibition, and distribution in the USA -- Motherhood and patriarchal discourse.

Alaska at war [DVD]

Alaska classics

Alaska classics.