African writers on African writing

Studies in African literature

Studies in African literature.

The novelist as teacher ; Where angels fear to tread ; The role of the writer in a new nation / No saviours / Aspects of Nigerian drama / The novel and the nation in South Africa / The African writer and his public / The patriot as an artist / Poetry and revolution in modern Africa / Fiction by Black South Africans / Relating literature and life / Interview / African speech ... English words / Why African literature? / The writers speak ; The soul of Africa in Guinea

Surrealist women's writing : a critical exploration

'The dung beetle's snowball': the philosophic narcissism of Claude Cahun's essay-poetry / Identity convulsed: Leonora Carrington's The House of Fear and The Oval Lady / Recasting the human: Leonora Carrington's dark exilic imagination / Colette Peignot: the purity of revolt / Suzanne Cesaire's surrealism: tightrope of hope / Kay Sage alive in the world / Outside-in: translating Unica Zurn / Ithell Colquhoun's experimental poetry: surrealism, occultism, and postwar poetry / Leonor Fini's abhuman family / 'Open sesame': Dorothea Tanning's critical writing / Magic language, esoteric nature: Rikki Ducornet's surrealist ecology

The philosophy of Jean-Paul Sartre

Works. Selections. English. 1965

Consciousness -- Self-consciousness -- Consciousness and reflection -- The Vertigo of consciousness -- Consciousness of existence -- Storytelling -- Contingency -- The Work of art -- Emotional consciousness -- Imaginative consciousness -- Perception and imagination -- Mental and material images -- From the sign to the image -- Thought and imagination -- Feeling and imagination -- Art and existence -- Consciousness and being -- The Pursuit of being -- Consciousness of something -- The Ontological proof -- The Encounter with nothingness -- The Question -- Anguish -- Possibility -- Flight -- Self-negation -- Bad faith -- The Unconscious -- Play-acting -- Sincerity -- The "Faith" of bad faith -- The Being of consciousness -- Facticity -- Transcendence -- Value -- The Circuit of selfness -- Consciousness and the other -- Hell is other people -- The Encounter with the other -- The Look -- Shame -- Fear and pride -- The Body -- Desire -- The Caress -- The Obscene -- Consciousness and action -- Resistance -- The Deed -- Being and doing -- Intention and motive -- Motive and reason -- Choice -- Conversion -- Freedom -- The Given -- My past -- My situation -- My responsibility -- Doing and having -- Self-expression -- The Desire to be -- Existential psychoanalysis -- The Desire to make -- Play -- The Desire to have -- Existential symbolism -- Existential metaphysics -- Existential ethics -- Consciousness and literature -- Art and action -- Poetry and prose -- The Writer and his audience -- Art and salvation -- A Vertiginous word -- The Language of crime -- The Crime of art -- Consciousness and society -- Actions and meanings -- Individual actions and social consequences -- Dialectical reason -- Anyone at all -- Need -- Scarcity -- Expendables -- Violence -- Labor -- Reification -- The Tool -- Social structures -- Solitude -- The Series -- Alienation -- The Group -- Encirclement -- Apocalypse -- The Oath -- Terror -- The Institution -- The Scandal -- The Verdict of history --

Mandelstam's worlds : poetry, politics, and identity in a revolutionary age

Critical Approaches -- Types of Poetic Difficulty -- A Dialectical Artist -- The Structure of this Book -- CULTURAL REVOLUTION -- The Political Culture of a Poet -- A Poetic Red Banner, 1918 -- Political Poetry in Translation -- Positioning Mandelstam in the 1920s -- The Peasantry and the Commune -- NEP as Utopian Dream and Reality -- Revolutionary Adaptation: The Bourgeois Revolution in a Proletarian Age -- Rightist and Leftist Deviation in the Fight over Translation -- Revolutionary Lyric -- The Historicity of Lyric Poetry -- Violence up Close -- Emblems of a New Age -- Allegories of Revolution: `Paris' (`Parizh'), 1923 -- History in the Making: `1 January 1924' and Deconstructing Lenin -- POETRY AND EXPERIENCE -- The `Slate Ode': Poetry as Historical Consciousness -- Primitivism and the `Slate Ode' -- A Genealogy of Morals in a Revolutionary Age -- Individual and Collective -- The Authority and Doubt of the Poet Legislator -- The Challenge of Eternal Return -- The Dialectic of Fear -- Who Leads, Who Heals the Wound? -- `Verses on Russian Poetry': Literary Politics and the Transvaluation of Values -- The Shape of the Cycle -- Allusion as Friendship Signalling -- Poetic Enmity and the Lesson of St Paul -- 1932 as a Turning Point -- Reforming the Canon of Russian Poetry: The Ideology of the Classic -- Allegory of Circumstance -- Elegy to a Lost Ideal -- `Octaves': From the Science of the Mind to the Music of Poetry -- Inspiration as Uncontrolled Rapture -- The Structure of `Octaves' -- The Science of the Senses -- Consciousness in the Mode of Vygotsky -- Determinism and Poetic Intentionality -- Towards Pure Poetry: Symbolist Tones and an Aeolian Harp -- THE VISUAL AND MATERIAL TURN -- Painting -- The Science of the Poetic Eye -- Under the Sign of Signac -- The Poet as Painter: Experiments in Impressionism, Cubism, and the Picturesque -- A Cubist Experiment -- Moving Pictures -- Poem as Script -- Chaplin and Art as Device -- The Poem as Iconotext -- Gesture and Voice -- Meaning and Montage -- Objects -- Art and the Maker: Production -- Art as the Made: Reception -- Art as the Found: Poetry as Object -- THE IDEAL OF LOVE -- Love's Body -- Forms of Infatuation (1): The Comic -- Forms of Infatuation (2):The Romantic -- Forms of Infatuation (3): The Tragic -- The Language of Love as the Love of Language -- A Tender Liebestod -- From Mortal to Immortal Love -- Acts of Separation -- Elegiac Guardians of Love: Mandelstam's Schubert -- Immortal Love: Notre Dame de Paris -- The Return to Archetype: Heavenly Hosts and Earth Goddess -- SPACES OF EXILE -- The Voronezh Poems (1934 -- 7) and the Geometry of Exile -- A realibus ad realiora -- The Journey into Exile -- Locating the Self: The Map of Exile -- Fields of Vision -- Mandelstam's Mallarme: The `prose of airy ink' -- Into the Fourth Dimension -- Poetry in extremis -- Geometry as a journey out of Exile -- Towards the `Stalin Ode' -- The Problem of Intentionality -- The Rhetoric of Praise -- Realms of Freedom: Invisible Visibles -- Taking to the Sky -- The Geometry of Hyperspace -- Into the Fourth Dimension.

The experience of literature : a reader with commentaries

Oedipus Rex / The tragedy of King Lear / The wild duck / The three sisters / The doctor's dilemma / Six characters in search of an author : a comedy in the making / Purgatory / Galileo

My kinsman, Major Molineux / Bartleby the scrivener : a story of Wall Street / The grand inquisitor / The death of Ivan Ilych / The treasure / Duchoux / Enemies / The pupil / The secret sharer / The dead / The hunter Gracchus / Tickets, please / The road from Colonus / Disorder and early sorrow / Di Grasso : a tale of Odessa / The sailor-boy's tale / Hills like white elephants / Barn burning / Summer's day / Of this time, of that place / The guest / The magic barrel

Edward / They flee from me / A valediction : forbidding mourning / Lycidas / To his coy mistress / An essay on Man : epistle I / Tyger! Tyger! / Resolution and independence / Kubla Khan or a vision in a dream, a fragment / Don Juan : an episode from canto II / Ode to the west wind / Ode to a nightingale / Beach / Out of the cradle endlessly rocking / The leaden echo and the golden echo / Go tell it--what a message / Sailing to Byzantium / The waste land / Neither out far nor in deep / My father moved through dooms of love / In memory of Sigmund Freud / For the union dead

A lyke-wake dirge / The cherry-tree carol / The three ravens / Sir Patrick Spens / Mary Hamilton / Westron winde, when will thou blow / To mistress Isabel Pennell / To mistress Margaret Hussey / My galley charged with forgetfulness / Forget not yet / Epithalamion / The passionate shepherd to his love / The nymph's reply / As you came from the Holy Land / Full fathom five / Tell me where is fancy bred / O mistress mine! / When that I was and a little tiny boy / Fear no more / Sonnet 18 / Sonnet 29 / Sonnet 30 / Sonnet 33 / Sonnet 55 / Sonnet 73 / Sonnet 107 / Sonnet 129 / Spring / In time of pestilence / Affliction / On my first son / Epitaph on Elizabeth, L.H. / To Penshurst / Song, to Celia / The triumph of Charis / Hymn to Diana / To the memory of / My beloved, the author / Mr. William Shakespeare / The indifferent / The good-morrow / The undertaking / Holy sonnet VII / The funeral / The autumnal

All the flowers of the spring / A dirge / Delight in disorder / To the virgins / To make much of time / Upon Julia's clothes / To Phyllis, to love and live with him / Ceremonies for Candlemas eve / The quip / The collar / The pulley / Song / Dirge / Go, lovely rose / On the morning of Christ's nativity / On Shakespeare / L'Allegro / How soon hath time / When I consider how my light is spent / Why so pale and wan? / A ballad upon a wedding / The constant lover / Wishes to his (supposed) mistress / To Amarantha, that she would dishevele her hair / To Althea, from prison / To Lucasta, going to the wars / The grasshopper / The garden / The mower against gardens / The mower's song / Bermudas / The picture of little T.C. in a prospect of flowers / The pursuit / The retreat / Childhood / The world

To the memory of Mr. Oldham / Upon nothing / A description of a city shower Stella's Birthday (March 13, 1726/27) / On the death of Dr. Robert Levet / Elegy written in a country churchyard / Of Jeoffry, his cat / The ecchoing green / The lamb / The clod and the pebble / A poison tree / Ah, sun-flower / London / Stanzas from Milton / Mary Morison / Address to the Unco Guid, or the rigidly righteous / Auld Lang syne / Robert Bruce's march / To Bannockburn / A red, red rose / A man's a man for a' that / Expostulation and reply / The tables turned / She dwelt among the untrodden ways / There was a boy / Nutting / Composed upon Westminster bridge / The world is too much with us / Surprised by joy / The solitary reaper / Stepping westward / Ode : intimations of immortality from recollections of early childhood / Frost at midnight / Dejection : an ode / Darkness / She walks in beauty / When we two parted / So, we'll go no more a-roving / Hymn to intellectual beauty / Ozymandias / Sonnet : England in 1819 / Tonight / To-- / Chorus from Hellas

On first looking into Chapman's Homer / When I have fears / Bright star, would I were steadfast as thou art / La Belle Dame sans Merci / Ode on a Grecian urn / To autumn / Ode on melancholy / Hamatreya / Give all to love / Brahma / The valley of unrest / To Helen / Alone / Ulysses / The lotos-eaters / How sleeps the crimson petal / Come down, 0 maid / Morte d'Arthur / The revenge / The jumblies / My last duchess / Soliloquy of the Spanish cloister / A woman's last word / Childe Roland to the Dark / Tower came / Starting from Paumanok / When lilacs last in the dooryard bloom'd / Shakespeare / Memorial verses, April 1850 / To Marguerite in returning a volume of the letters of Ortis / The scholar gipsy / Lucifer in starlight / Papa above / There's a certain slant of light / A clock stopped / I taste a liquor never brewed / Because I could not stop for death / I've seen a dying eye / A narrow fellow in the grass / Heavenly father-- take to thee / Twas later when the summer went / Before the beginning of years / When the hounds of spring / The garden of Proserpine / Sapphics / The subalterns / Wives in the Sere / The lacking sense / The darkling thrush / The voice / The five students / Who's in the next room? / Afterwards

Spring and fall / The windhover / Pied beauty / Carrion comfort / Loveliest of trees / Be still, my soul, be still / Danny Deever / Recessional / Byzantium / Leda and the swan / The second coming / A prayer for my daughter / Luke Havergal / Miniver Cheevy / Mr. Flood's party / The listeners / Home burial / Stopping by woods on a snowy evening / Design / Provide, provide / Directive / Anecdote of the jar / Peter Quince at the clavier / Thirteen ways of looking at a blackbird / Soldier, there is a war / Tortoise shout / The elephant is slow to mate / The snake / A pact / Ite / Les Millwin / Come my cantilations / Prayer for his lady's life / Poetry / Elephants / La Figlia Che Piange / Sweeney among the nightingales / Journey of the magi / Animula / Here lies a lady / Bells for John Whiteside's daughter / Blue girls

Ars poetica / The end of the world / You, Andrew Marvell / All in green went my love riding / My girl's tall with hard long eyes / Anyone lived in a pretty how town / I say no world / Warning to children / The climate of thought / To Juan at the winter solstice / Voyages (II) / At Melville's tomb / The Mediterranean / Ode to the Confederate dead / Variation : ode to fear / Bearded oaks / Foreign affairs / For the word is flesh / Historical song of then and now / Modes of belief / Poetry : the art / Musée des Beaux arts / In memory of W.B. Yeats / The shield of Achilles / Frau Bauman, Frau Schmidt, and Frau Schwartze / The far field / Light listened / In the naked bed, in Plato's cave / The heavy bear / The force that through the green fuse drives the flower / Fern hill / Do not go gentle into that good night / In my craft or sullen art / Conversation / Dream song : 14 (life, friends, is boring) / Dream song : 18 (a strut for Roethke) / The Quaker graveyard in Nantucket / Mr. Edwards and the spider / The fat man in the mirror / The fiend / A supermarket in California / To Aunt Rose

Glory and terror : seven deaths under the French Revolution

Gloire et l'effroi. English

Feasts of fear and agony

A New Directions book

New Directions book.

Mrs. Mehetabel Holt a person of early piety, and quick understanding in the fear of the Lord, was born at Newbury in New-England, and died at Bishop-Stoke, September 30th. 1677. AEtat. 38.

Early American imprints. First series ;

Made under pressure : literary translation in the Soviet Union, 1960-1991

Literary translation in the Soviet Union, 1960-1991

Studies in print culture and the history of the book

Studies in print culture and the history of the book.

To the public. [microform] : Here is, I fear our unhappy and lamentable condition set forth in short, in a few verses, and some close considerations ...

Early American imprints. First series ;

The fox was ever the hunter : a novel

Fuchs war damals schon der Jäger. English

Chaucer and the politics of discourse

Canterbury tales.