A different voice, a different song : reclaiming community through the natural voice and world song
Reclaiming community through the natural voice and world song
Introduction The Natural Voice, Community Choirs, and World Song: Setting the Scene Singing for Water The Bigger Picture: Difinitions and Perspectives Singing in the Spotlight Research Contexts: Surveying the Literature Voice and Voicework Singing and Choirs Community Music and Community Music Therapy Ethnomusicology and World Musics in Education Musical Tourism Digging Deeper: Themes, Issues, and Concepts Network, Scenes, and Movements Global Flows, Cosmopolitan Cultures, and Transnational Connections World Music, Cultural Appropriation, and Intercultural Engagement The Politics of Participation and the Art of Celebration Dancing in the Streets In Search of the Natural Voice The Original Instrument Frankie Armstrong and the Natural Voice Practitioners' Network The NVPN Philosophy and Concepts of Music in Society The Giving Voice Project, Theatrical Roots, and the Natural Voice in Performance Kristin Linklater and Michele George Alfred Wolfsohn and Roy Hart Jerzy Grotowski and Wlodzimierz Staniewski Giving Voice as Culture and Community A Meeting of Worlds: Giving Voice and the Natural Voice Network Natural Voice in Perspective Natural Voice Practitioners and Their Journeys: Histories and Connections A Gathering of the Natural Voice Clan The Roads That Lead to the Natural Voice Frankie's Singing Journey Meetings with Voice Practitioners: Contexts and Continuities Musical Lives The Folk Connection The Political Connection The Theatre Connection The Classical Connection The Community Music Connection The Therapy Connection The Circle Dance, Summer Camp, and Alternative Community Connection The World Music Connection The NVPN as Community of Practice From Principles to Practice: The Culture of Natural Voice Choirs and Workshops If You Can Talk, You Can Sing Working with the Voice Preparing to Sing: The Function of Warm-Up Exercises Arriving and Tuning In Voice, Body, Breath, Mind Paving the Way for Singing in Style How Times Have Changed The Aural Method: Teaching and Learning by Ear Repertoire: Songs from the Oral Tradition Resources for Teachers Expanding Horizons Of Learning and Living Singing the Songs of Others A World of Song The Attraction of Songs from Elsewhere Entering New Sound Worlds Entering the Lives of Others Deeper Resonances: Lost Pasts and Present Yearnings The Politics of Unintelligibility Songs from Taizé Text and Meaning in the Vernacular Vocables in Georgian Song Ours or Theirs? Of Boundaries and Crossings Performing the Other: Appropriations and Transformations Framing Intercultural Encounters The African American Continuum and Gospel's Global Journeys Back to Africa Songs and Dances from South Africa Songs of the Aka and Baka Balkan Bridges Gifts from Georgia Authenticity, Alterity, and Possession Singing Communities: The World of Community Choirs Singing in the Streets Choirs, Choirs Everywhere Choirs in the British Media Amateur Choirs in Britain: Social and Political Legacies International Perspectives: Building Bridges through Song Locating the Community Choir: Worlds within Worlds The Choir in the Community and the Community in the Choir Singing, Health, and Happiness The Place of Performance Opening Doors Scenes from the Global Village: Singing Camps and Travels The Singing Village Reclaiming Paradise: Of Fields, Festivals, and Foreign Shores Tapping into the Festival Current Theorising Travel and Tourism A Village in a Field: The Unicorn Natural Voice Camp The Unicorn Experience The Unicorn Repertoire The Unicorn Community Choirs on the Move The Village on the Move: Village Harmony's Overseas Camps Village Harmony in Corsica Village Harmony in Bosnia Village Harmony and Other Travels in Georgia Of Refashioning Identities and Living Differently The Voice of the Future Gathering the Threads Fallacies and Other Truths A Quiet Revolution A River of Music