Geoffrey Chaucer's The general prologue to the Canterbury tales

Modern critical interpretations

Canterbury tales. Prologue.

Modern critical interpretations.

The Oxford English literary history

literary cultures of early England Reform and cultural revolution Elizabethans Literary cultures of the early seventeenth century later seventeenth century eighteenth century romantic period -- v. 8. 1830-1880 : The Victorians -- v. 9. 1875-1914 : From 'Victorian' to 'Edwardian' modern movement Literature among the wars last of England? internationalization of English literature

The Critical temper; a survey of modern criticism on English and American literature from the beginnings to the twentieth century.

A Library of literary criticism

Library of literary criticism.

The literature of melancholia : early modern to postmodern

Melancholia as a sense of loss: an introduction / Yet once more: melancholia and amnesia in Milton's Lycidas / Male pregnancies, virgin births, monsters of the mind: early modern melancholia and (cross-)gendered constructions of creativity / Mourning and melancholia in England and its transatlantic colonies: examples of seventeenth-century female appropriations / "To pictur'd regions and imagin'd worlds": female melancholic writing and the poems of Mary Leapor / "The dark bottomless abyss, that lies under our feet, had yawned open": the rescision of the male melancholic genius in Carlyle's Sartor Resartus / "They came, they cut away my tallest pines": Tennyson and the melancholy of modernity / The melancholy of history: the French Revolution and European historiography / Commercialising melancholy: the National Trust / Melancholia in the South Pacific: the strange case of Robert Louis Stevenson's travel writing / The secret of the father in the colonial secret: Rosa Praed's Weird Melancholy / Modernist melancholia and time: the synchronicity of the non-synchronic in Freud, Tylor and Conrad / The closed circle of Britain's postcolonial melancholia / Working at the seams: Howard Barker's tragic Trauerspiel / Melancholia and mourning animals / Melancholic consolation?: J. M. Coetzee, irony, and the aesthetics of the sublime / The novel after melancholia: on Tom McCarthy's Remainder and David Mitchell's Ghostwritten