The British at war : cinema, state, and propaganda, 1939-1945

Cinema and society series

Cinema and society.

Organisations and Policies -- The MOI Films Division -- A Policy for Film Propaganda -- The MOI and Feature Film Propaganda -- The MOI and Short Film Propaganda -- The Crown Film Unit -- The Service Film Units -- Subjects and Themes -- The People's War -- Officers and Men -- Women and War -- Friend and Foe -- History and Heritage.

Passions and deceptions : the early films of Ernst Lubitsch

JSTOR EBA.

From Comic Actor to Film Director, 1914-1918 -- The German Feature Films, 1918-1922 -- Hollywood--The Silent Films, 1923-1929 -- The American Sound Films, 1929-1932 -- Film Analyses -- Wayward Women: The Oyster Princess, The Doll, and The Mountain Cat -- The Period Film as Palimpsest: On Passion and Deception -- The Tyranny of Vision: So This Is Paris and Others -- Exploring the Boundaries of Sound: Monte Carlo -- The Object, the Image, the Cinema: Trouble in Paradise.

The art of Walt Disney : from Mickey Mouse to the Magic Kingdoms

Mickey Mouse.

Snow White and the seven dwarfs (Motion picture)

Pinocchio (Motion picture : 1940)

Fantasia (Motion picture)

Dumbo (Motion picture)

Bambi (Motion picture)

Davy Crockett (Television program)

Mary Poppins (Motion picture)

Introduction -- A new art form. Early enterprises -- Mickey Mouse and Silly Symphonies -- Six cartoon classics -- Hyperion days -- Feature animation. Snow White : the first feature -- Pinocchio -- Fantasia : the great experiment -- Dumbo and Bambi -- Interruptions and innovations -- Later animation -- Live-action films. Actors and animals -- Davy Crockett, other heroes and Mary Poppins -- The Magic Kingdoms. Beyond film : Disneyland and Walt Disney World.

Truant pastures : the complete poems of Harry C. Staley

Introduction I / Chalk It -- Pesky Art of Harry C. Staley / Lives of a Shell-Shocked Chaplain: Charles McCaffery (b. 1920 d. 1987) -- Early Times -- Preliminary Report From Dr. Peters, Geo-therapist -- Penmanship (1931, 1984) -- Argument from Design -- Nocturnes (from early films) -- Dog-fight -- Autopsy -- Double-Feature -- All Quiet on the Western Front -- Services (1929) -- Biology One (1934, 1957) -- Take Us In Mister? -- Asymptote (1945) -- Le Bourget -- Engagement -- Therapy (1970-1974) -- Immersion -- Casualties -- Sacrifications -- Dark Cubes -- Morning Song -- Apochrypha -- About the Aeneid -- Mother Behold Thy Son -- Early Gothic -- Tidings (Christmas 1930s, 1973) -- Contractions -- Ex-Capt. McCaffery -- Fr. Charles Visits Athens -- ^

Wanted dead or alive : the American West in popular culture

Pop culture West / Malaeska's revenge ; or, the dime novel tradition in popular fiction / Writers of the purple sage : novelists and the American West / Let 'er rip : popular culture images of the American West in wild west shows, rodeos, and rendezvous / Westbound : feature films and the American West / Good guys wore white hats : the B western in American culture / Prime time bonanza! the western on television

Blaze of glory : the mythic West in pop and rock music / Cool water, rye whiskey, and cowboys : images of the west country music / Viewing the West : the popular culture of American Western painting / Selling the myth : western images in advertising

Border cinema : reimagining identity through aesthetics

Global media and race

Global media and race.

Frontmatter -- Contents -- 1. Introduction--Moving Images: Contesting Global Borders in the Digital Age / 2. Composite Aesthetics as Cultural Cartographies of Europe in Transition / 3. Undocumation: Documentary Animation's Unsettled Borders / 4. The Art of Witness in Lourdes Portillo's Señorita extraviada / 5. The Cinematic Borderlands of Alejandro González Iñárritu's Babel / 6. Challenging European Borders: Goran Paskaljevic's Honeymoons / 7. Remapping the Borderlands in ¿Quién diablos es Juliette? / 8. Crossing through el Hueco: The Visual Politics of Smuggling in Colombian Migration Films / 9. Toward a Transfrontera-Latinx Aesthetics: An Interview with Filmmaker and Artist Alex Rivera / 10. No-Man's- Land: Shifting Borders and Alternating Identities in Contemporary Israeli Cinema / 11. The Borders We Cross in Search of a Better World: On Border Crossing in Three of Amos Gitai's Feature Films / 12. Filipinos at the Border: Migrant Workers in Transnational Philippine Cinema / Acknowledgments -- Bibliography -- Filmography and Videography -- Notes on Contributors -- Index

Beyond classical narration : transmedial and unnatural challenges

Narratologia : contributions to narrative theory,

Narratologia ;

Frontmatter -- Contents -- Introduction: Transmedial and Unnatural Narratology / The Selection and Concretization of Elements in Verbal and Filmic Narration / Toward a Transmedial Narratology: On Narrators in Contemporary Graphic Novels, Feature Films, and Computer Games / From Ironic Distance to Unexpected Plot Twists: Unreliable Narration in Literature and Film / Narratorial Strategies in Drama and Theatre: A Contribution to Transmedial Narratology / Building Stories around Contemporary Performing Arts: The Case of Romeo Castellucci's Tragedia Endogonidia / Narrative Journalism from a Transdisciplinary Perspective: A Narratological Analysis of Award-Winning Literary Reportages / Web Series between User-Generated Aesthetics and Self- Reflexive Narration: On the Diversification of Audiovisual Narration on the Internet / Emergent Narrative, Collaborative Storytelling: Toward a Narratological Analysis of Alternate Reality Games / Photography and Narrative: The Representation of the Atomic Bomb in Photographs of Nagasaki from 1945 to 1995 / Musical Narratology: An Outline / Flow-Stoppers and Frame-Breakers: The Cognitive Complexities of the Film Musical Exemplified by Lars von Trier's Dancer in the Dark (2000) / The Unnatural in E.A. Poe's "The Oval Portrait" / Postmodernist Impossibilities, the Creation of New Cognitive Frames, and Attempts at Interpretation / Notes on Contributors.

The couch and the silver screen : psychoanalytic reflections on European cinema

The new library of psychoanalysis ;

New library of psychoanalysis ;

Foreword / Introduction / Inner and outer worlds of the filmmaker's temporary social structure / One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / WORKING THROUGH TRAUMA -- Sons and fathers: a room of their own -- Nanni Moretti's The son's room (2001) / Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) / Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) / Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation / István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma / Notes on the relevance of psychoanalytic theory to Euro-horror cinema / Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development / Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) / Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) / Narratives and documentaries: an encounter with Michael Apted and his films / Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) / Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) / Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) / Filming psychoanalysis: feature or documentary? Two contributions

The cult film reader

concept of cult: Film cults / The work of art in the age of mechanical reproduction / Notes on "camp" / Uses of camp / Casablanca : cult movies and intertextual collage / Science fiction double feature : ideology in the cult film / Semiotics by instinct : "cult film" as a signifying practice between film and audience / "Trashing" the acadamy : taste, excess and an emerging politics of cinematic style / Sleaze mania, Euro-trash and high art : the place of European art films in American low culture / Media fandom, neoreligiousity and cult(ural) studies / Cult fictions : cult movies, subcultural capital and the production of cultural distinctions / Cult case studies: chien andalou / The anxiety of influence : Georges Franju and the medical horrorshows of Jess Franco / The obscene seen : spectacle and transgression in postwar burlesque films / Orson Welles and the big experimental film cult / Little cinema of horrors / What is a cult horror film? / Blaxploitation horror films : generic reappropriation or reinscription? / Carter in context / The future of allusion : Hollywood in the seventies (and beyond) / Hitchcock in Texas : intertextuality in the face of blood and gore / The essential evil in/of Eraserhead (or, Lynch to the contrary) / The cult of horror / The Blair witch project : film and the internet / National and international cults: topo : through the wasteland of the counterculture / Playing with genre : an introduction to the Italian giallo / Han's island revisited : Enter the dragon as transnational cult film / Magical girls and atomic bomb sperm : Japanese animation in America / The killer : cult film and transcultural (mis)reading / Trading in horror, cult and matricide : Peter Jackson's phenomenal bad taste and New Zealand fantasies of inter/national cinematic success / Invisible representation : the oral contours of a national popular cinema / Mute bodies, disembodied voices : notes on sound in Turkish popular cinema / Ichi the killer / Cult consumption: Cult of distraction : on Berlin's picture palaces / Introduction to distinction / Portrait of a cult film audience : The Rocky Horror picture show / Subcultural studies and the film audience : rethinking the film viewing context / 'Fans' notes : the horror film fanzine / Get a life! : fans, poachers, nomads / The cultural economy of fandom / The crash controversy : reviewing the press / Beaver Las Vegas! : a fan-boy's defence of Showgirls / Menstrual monsters : the reception of the Ginger snaps cult horror franchise

A new history of animation

Origins of animation -- Setting the scene for animation. Early innovations in simulating movement ; The printing press and comic strips ; The impact of photography on studies of locomotion ; The transition to animated cinema -- The magic of early cinema. Entrepreneurs of early cinema ; First approaches to animation ; Wonderful tricks: special effects in early film -- Foundations of the animation industry. The beginnings of drawn animation ; Bray, Barré, and the emergence of the animation studio system ; The development of the Hollywood studio system and the modern cinema experience ; Stop-motion developments of the 1910s -- The late silent era and the coming of sound. Iconic figures of the late silent era ; Distribution options ; The introduction of sound technology ; The consolidation of the American animation industry ; Stop-motion developments in the late silent era -- Early animation -- Animation as modern art. Modern movements in painting ; The development of modern art ; Lotte Reneger and the art and craft of silhouette animation ; Abstraction, transcendence, and visual music: theories of modernest animation ; The Russian film theory revolution ; Collaboration in unsettled times: modernist animation of the 1930s ; Support for modernist animation -- Disney's new aesthetic. Creating an identity ; The reorganization of the studio ; A new aesthetic for a new era ; The ideas behind "Disney style" movement ; Disney's first feature films -- Style and the Fleischer Studio. The development of style in the 1930s ; The Fleischer studio: style and structure ; Classifying content ; Censorship ; The New Deal and the rise of unions in the US animation industry -- Comedy and the dominance of American animation. Key elements of comedy ; Animation at Warner Bros. ; Animation at MGM -- Wartime and midcentury -- Animation in World War II. Animation and the war effort ; The events of World War II ; Identifying the enemy ; Animation with an agenda ; Wartime animation outside the United States -- International developments in postwar animation. Occupation and animation ; Postwar animation in communist countries ; Postwar animation in Great Britain and Canada -- Stop-motion approaches. Experiments in stop-motion ; Stop-motion in advertising ; Stop-motion in Eastern Europe ; Pioneering efforts in Japan and China ; Japanese theatrical traditions ; American stop-motion in the postwar period ; Stop-motion stars -- Midcentury shifts in American design. Finding the artist in animation: developments at the major studios ; United we stand: the influences of the UPA Studio ; The rise of animated advertising -- Early television animation. The beginnings of made-for-television animation in America ; The rise of children's animated television series ; Media regulation ; American animated television production in the 1980s ; International developments in made-for-television animation -- Experimental modes -- Postwar experimentation. Animation and the avant-garde ; Experiments with perception ; The beginnings of animated computer art -- New audiences for animated features. New voices in popular media ; Disney animation from the postwar era ; Creative work from Disney's rivals ; The rise of international projection ; Attracting the youth audience --

New contexts and voices -- The emergence of electronic games. The impact of technology on games ; Types of game ; The online came community ; Creating and modifying games ; Heroes and damsels in distress ; The future of animated games -- Voices from the Eastern Bloc. The introduction of a modern style in Soviet animation ; Animation after the fall of the Soviet Union ; Czechoslovakia's changing political identity ; Varied directions for Czech animation ; Animation from the Visegrad group -- Authorship in animated shorts. Support for short films ; Women and authorship ; Formal and technical experimentation ; Developing stop-motion worlds -- The Disney renaissance. Before the renaissance: challenges to Disney's reputation ; Key administrators at the new Disney ; Films of the Disney renaissance ; Disney theater ; After the renaissance -- Television as a creative space. Commercial broadcast animation ; Cable animation -- Computer-generated animation in features. Innovators in the effects world ; Creating an authentic reality ; John Lasseter and the rise of Pixar ; Digital advances at DreamWorks Animation ; The illusion of depth ; Disney building its digital empire ; Other players embrace CGI -- Animation worldwide -- The culture of Japanese animation. Manga and anime ; Hayao Miyazaki, Isao Takahata, and Studio Ghibli ; A survey of Japanese animation studios ; Innovative short film production ; Preserving a cultural legacy -- The panorama of world animation. A global challenge: creating a national style ; International feature films ; Distributing world animation: GKIDS -- Animation in the art world. Finding the art in animation ; Installations ; Projections and site-specific works ; Animation and performance ; The art of video games -- Glossary.

In your wildest dreams

In your wildest dreams [videorecording]