The absolutely true diary of a part-time Indian

The absolutely true diary of a part-time Indian

The absolutely true diary of a part-time Indian

The absolutely true diary of a part-time Indian [kit]

Anchorage Reads

APL book club bag.

The absolutely true diary of a part-time Indian [large print] : a novel

Thorndike Press large print The literacy bridge

Thorndike Press large print The literacy bridge.

The absolutely true diary of a part-time Indian [sound recording]

The absolutely true diary of a part-time Indian [sound recording]

Sherman Alexie : a collection of critical essays

"Imagination turns every word into a bottle rocket": an introduction to Sherman Alexie / Dancing that way, things began to change: the ghost dance as pantribal metaphor in Sherman Alexie's writing / "Survival = anger x imagination": Sherman Alexie's dark humor / "An extreme need to tell the truth": silence and language in Sherman Alexie's "The trial of Thomas Builds-the-fire" / Rock and roll, redskins, and blues in Sherman Alexie's work / This is what it means to say reservation cinema: making cinematic Indians in Smoke signals / Native sensibility and the significance of women in Smoke signals / The distinctive sonority of Sherman Alexie's indigenous poetics / The poetics of tribalism in Sherman Alexie's The summer of black widows / Sherman Alexie's challenge to the academy's teaching of Native American literature, non-native writers, and critics / "Indians do not live in cities, they only reside there": captivity and the urban wilderness in Indian killer / Indigenous liaisons: sex/gender variability, indianness, and intimacy in Sherman Alexie's The toughest Indian in the world / Sherman Alexie's transformation of "Ten little Indians" / Healing the soul wound in Flight and The absolutely true diary of a part-time Indian / The business of writing: Sherman Alexie's meditations on authorship

Sherman Alexie

Critical insights

Critical insights.

On Sherman Alexie: American man of letters / Navigating the river of the world: collective trauma in The absolutely true diary of a part-time Indian / "Doesn't everybody belong to a subculture?": community and history in Sherman Alexie's writing / Articulations of difference: minority existence in white America in Sherman Alexie's Indian killer and Toni Morrison's The bluest eye / Postmodern magic, traditional rage: the critical reception of Sherman Alexie's work / Half child/half adult: Sherman Alexie's hybrid young adult fiction / The rhetorical, performative poetics of Sherman Alexie: critical reflections on affect, memory, and subjectivity / A rez kid gone urban: Sherman Alexie's recent short fiction / Dialectic to dialogic: negotiating bicultural heritage in Sherman Alexie's sonnets / Sherman Alexie's indigenous blues / The exaggeration of despair in Sherman Alexie's Reservation blues / Reservation home movies: Sherman Alexie's poetry / A new road and a dead end in Sherman Alexie's Reservation blues / "The res has missed you": the fragmented reservation of the mind in The business of fancydancing / A bridge of difference: Sherman Alexie and the politics of mourning / A world of story-smoke: a conversation with Sherman Alexie / Indian killer / Sex and salmon: queer identities in Sherman Alexie's The toughest Indian in the world / The trans/historicity of trauma in Jeannette Armstrong's Slash and Sherman Alexie's Indian killer / Building cultural knowledge in the contemporary native novel / Sherman Alexie: interview