The philosophy of film noir
Nietzsche and the meaning and definition of noir / A darker shade: realism in neo-noir / Moral clarity and practical reason in film noir / Cherchez la femme fatale: the mother of film noir / From Sherlock Holmes to the hard-boiled detective in film noir / Film noir and the meaning of life / The horizon of disenchantment: film noir, Camus, and the vicissitudes of descent / Symbolism, meaning, and nihilism in Quentin Tarantino's Pulp fiction / Film noir and the Frankfurt School: America as wasteland in Edgar Ulmer's Detour / Knowledge, morality, and tragedy in The killers and Out of the past / Moral man in the dark city: film noir, the postwar religious revival, and The accused / On reason and passion in The Maltese falcon / Ride the pink horse: money, mischance, murder, and the monads of film noir
Conard, Mark T., 1965-
Mark T. Conard -- Jason Holt -- Aeon J. Skoble -- Read Mercer Schuchardt -- Jerold J. Abrams -- Steven M. Sanders -- Alan Woolfolk -- Mark T. Conard -- Paul A. Cantor -- Ian Jarvie -- R. Barton Palmer -- Deborah Knight -- Alain Silver.
edited by Mark T. Conard ; foreword by Robert Porfirio.