Search Results for "Athapaskan "
SirsiDynix Enterprise
https://anch.ent.sirsi.net/client/en_US/apl/apl/qu$003d$002522Athapaskan$0025C2$0025A0$002522$0026lm$003dAPL2$0026ps$003d300$0026h$003d1?dt=list
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Upper Kuskokwim Athapaskan dictionary
ent://SD_ILS/0/SD_ILS:1575166
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Collins, Raymond.<br/>1966.<br/>Book<br/>
Northern Athapaskan art : a beadwork tradition
ent://SD_ILS/0/SD_ILS:163
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Duncan, Kate C.<br/>©1989.<br/>Book<br/>
A theory of Northern Athapaskan prehistory
ent://SD_ILS/0/SD_ILS:1672087
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Ives, John W.<br/>1990.<br/>Book<br/>
A bibliography of the Athapaskan languages
ent://SD_ILS/0/SD_ILS:166
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Parr, Richard T.<br/>1974.<br/>Approximately 5000 entries on the linguistics, anthropology, archaeology, folklore and ethnomusicology of the Athapaskan Indian languages. Covers published materials, theses, dissertations, and archive holdings.<br/>Book<br/>
Athapaskan adaptations : hunters and fishermen of the subarctic forests
ent://SD_ILS/0/SD_ILS:1733663
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VanStone, James W.<br/>c1974.<br/>Book<br/>
Athapaskan adaptations : hunters and fishermen of the subarctic forests
ent://SD_ILS/0/SD_ILS:1732280
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VanStone, James W.<br/>[1974]<br/>A survey of the northern Athapaskan area dealing with the traditional ethnographic data, the history of European contact and the contemporary Athapaskan peoples.<br/>Book<br/>
Rifles, blankets, and beads : identity, history, and the northern Athapaskan potlatch
ent://SD_ILS/0/SD_ILS:3201
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Simeone, William E.<br/>c1995.<br/>Book<br/>
The crooked stovepipe : Athapaskan fiddle music and square dancing in Northeast Alaska and Northwest Canada
ent://SD_ILS/0/SD_ILS:1652122
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Mishler, Craig.<br/>c1993.<br/>"Named for a popular local fiddle tune, The Crooked Stovepipe is a rollicking, detailed, first-ever study of the indigenous fiddle music and social dancing enjoyed by the Gwich'in Athapaskan Indians and other tribal groups in northeast Alaska, the Yukon, and the northwest territories. Though the music has obvious roots in the British Isles, French Canada, and the American South, the Gwich'in have used it in shaping their own aesthetic, which is apparent in their choice of fiddle tunings, bowing techniques, foot clogging, and a distinctively stratified tune repertoire." "Craig Mishler treats this rural subarctic artistic tradition as a distinctive regional style akin to Cajun, bluegrass, or string-band music. He uses convergence theory as the framework for showing how this aesthetic came about. His skillful use of personal anecdotes, interviews, music examples, dance diagrams, and photographs will appeal to general readers interested in folk music and dance, as well as to specialists."--BOOK JACKET.<br/>Book<br/>
The once & future village of Ikluat/Eklutna : a history of a Tanaina Athapaskan settlement
ent://SD_ILS/0/SD_ILS:1635822
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Chandonnet, Ann.<br/>©1979.<br/>Book<br/>
Dakah de'nin's village and the Dixthada site : a contribution to northern Athapaskan prehistory
ent://SD_ILS/0/SD_ILS:1705572
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Shinkwin, Anne D.<br/>1979.<br/>Book<br/>
A teacher's guide for teaching English to the native children of Alaska (Eskimo and Athapaskan)
ent://SD_ILS/0/SD_ILS:1704875
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1968.<br/>Book<br/>
"And he was beautiful" : contemporary Athapaskan material culture in the collections of Field Museum of Natural History
ent://SD_ILS/0/SD_ILS:1657773
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Simeone, William E.<br/>1986.<br/>Book<br/>
A history of Alaskan Athapaskans : a history of Alaskan Athapaskans including a description of Athapaskan culture and a historical narrative, 1785-1971
ent://SD_ILS/0/SD_ILS:1552
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Simeone, William E.<br/>[198?]<br/>Book<br/>
Shadows on the Koyukuk : an Alaskan native's life along the river
ent://SD_ILS/0/SD_ILS:5495137
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Huntington, Sidney,<br/>[2018]<br/>Athapaskan Indian Sidney Huntington tells what life was like growing up in the wilderness of Alaska, where he prospered as a trapper, boat builder, and fisherman.<br/>Book<br/>
Khaii ts'a
ent://SD_ILS/0/SD_ILS:1900044
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Moore, Katie.<br/>1978.<br/>Electronic resource<br/>
Indian tribes of the Northwest
ent://SD_ILS/0/SD_ILS:1585142
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Ashwell, Reg,<br/>c1977.<br/>Aesthetic and cultural overview of the Tlingit, Haida, Tsimshian, Kwakiutl, Bella Coola, Nootka, Coast and Interior Salish, Kootenay and seven Athapaskan speaking tribes of British Columbia. Suitable grades 6 and up.<br/>Book<br/>
Koyukuk River culture
ent://SD_ILS/0/SD_ILS:168
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Clark, Annette McFadyen.<br/>1974.<br/>A comparative study of selected aspects of the material culture of the Koyukuk Koyukon Athapaskan Indians and the Kobuk and Nunamiut Eskimos who share contiguous areas in interior northern Alaska.<br/>Book<br/>
Crossroads Alaska : native cultures of Alaska and Siberia
ent://SD_ILS/0/SD_ILS:1510612
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Chaussonnet, Valérie.<br/>1995.<br/>Book<br/>
Life lived like a story : life stories of three Yukon native elders
ent://SD_ILS/0/SD_ILS:3040
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Cruikshank, Julie.<br/>c1990.<br/>Transcribed oral life histories of three elder native women (Angela Sidney, Kitty Smith and Annie Ned) of Athapaskan and Tlingit ancestry, who lived in the southern Yukon Territory through most of the 20th century. One is the last living speaker of Tagish Athapaskan, and two speak Southern Tutchore. Includes map and family trees, and a glossary of native terms.<br/>Book<br/>
The Han Indians; a compilation of ethnographic and historical data on the Alaska-Yukon boundary area.
ent://SD_ILS/0/SD_ILS:1628829
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Osgood, Cornelius,<br/>1971.<br/>Bibliography:p.168-73.<br/>Book<br/>
Sitsiy yu?gh noholnik ts'in' = As my grandfather told it : traditional stories from the Koyukuk
ent://SD_ILS/0/SD_ILS:2552
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Attla, Catherine.<br/>1983.<br/>Collection of stories about the traditions of the Yukon-Koyukon Athapaskan people of interior Alaska.<br/>Book<br/>
Coming into the country
ent://SD_ILS/0/SD_ILS:1723806
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McPhee, John,<br/>1977.<br/>1st ed.<br/>Coming into the Country is an unforgettable account of Alaska and Alaskans. It is a rich tapestry of vivid characters, observed landscapes, and descriptive narrative, in three principal segments that deal, respectively, with a total wilderness, with urban Alaska, and with life in the remoteness of the bush. Readers of McPhee's earlier books will not be unprepared for his surprising shifts of scene and ordering of events, brilliantly combined into an organic whole. In the course of this volume we are made acquainted with the lore and techniques of placer mining, the habits and legends of the barren-ground grizzly, the outlook of a young Athapaskan chief, and tales of the fortitude of settlers-ordinary people compelled by extraordinary dreams. Coming into the Country unites a vast region of America with one of America's notable literary craftsmen, singularly qualified to do justice to the scale and grandeur of the design.<br/>Content Time Period x5x8<br/>Book<br/>
K'etetaalkkaanee : the one who paddled among the people and animals : an analytical companion volume
ent://SD_ILS/0/SD_ILS:123124
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Thompson, Chad.<br/>1990.<br/>Analysis and discussion of the meaning, symbolism and language of traditional Koyukon (Athapaskan Indian) stories of central and northwest Alaska.<br/>Book<br/>
Myths and legends of Alaska,
ent://SD_ILS/0/SD_ILS:1672
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Judson, Katharine Berry.<br/>1911.<br/>Over 50 traditional myths and legends of the Eskimo, Tlingit, Tsetsaut, Tsimshian, Athapaskan, Haida, and Koryak tribes.<br/>Book<br/>
A special gift : the Kutchin beadwork tradition
ent://SD_ILS/0/SD_ILS:4794809
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Duncan, Kate C.<br/>©1997.<br/>Today as in the past Kutchin women use beads in evocative and beautiful patterns to ornament clothing for family and friends, and items to be sold. Beadwork is the form a woman will often choose when a most special gift is called for; the beaded object is love made visible. Among these subarctic Athapaskan people, beadwork today continues a tradition that has been important for well over a century. Both changes and continuities were evident in that tradition when, in 1982, Kate Duncan, an art historian, and Eunice Carney, a Kutchin elder and beadworker, visited Kutchin communities in Alaska and the Yukon Territory, carrying photographs of older beadwork now in museum collections and talking with people about the art. This new edition, with an expanded section of color plates and an updated introduction, brings back into print the product of their effort. The narrative traverses the history of Kutchin beadwork, beginning with early regional differences and work that exists now only in memory, extending to the last decades of the twentieth century.<br/>Book<br/>
Anthropology of the North Pacific rim
ent://SD_ILS/0/SD_ILS:1004533
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©1994.<br/>Collection of 23 papers on the traditional cultures of the coastal and island peoples of northeastern Siberia and northwestern North America and the Bering Strait region.<br/>Book<br/>
Hunters of the northern forest : designs for survival among the Alaskan Kutchin
ent://SD_ILS/0/SD_ILS:4777352
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Nelson, Richard K.<br/>1973.<br/>Book<br/>